Bonnard et le Japon. Beaux-arts D’abord mannequin dans les années

D’abord mannequin dans les années 1960

[5] 72-77 Revillout

but also to secondary actors in political life such as L

her intellectual curiosity

Alice Pasquini

Bonnard et le Japon. Beaux-arts D’abord mannequin dans les annéesPierre Bonnard (1867 1947) considered Japanese prints as an essential model for his commitment to modernity. These images, from a distant land, taught him new aesthetic principles that transformed his artistic practice. The French painter shared with the great masters of Japanese prints a sensitivity to human beings, nature, and animals, as well as a shared interest in the representation of everyday life combined with a certain fantasy. Through a